Choreography, dance, costume, set, visual: Batarita, SHIN Eunju
Life is hidden of the process of becoming an individual, in the power of the individual. The harmony within the power of individual is the true beauty of nature, Nature is full of order and confusion, harmony and entanglement, yet it flowers again and again, beyond time and space.
Batarita and SHIN Eunju created their third joint performance after 2015 and 2016. Their co-production full of sensitive intertwinement and contrast could be seen in the National Dance Theater in Budapest in 2020 following the Korean premier in November 2019.
Supporters: Busan Cultural Foundation, Touchpoint Art Foundation, Ministry of Human Capacities
Premier: 2019.11.01. – Korea, Busan, Busan Dance Theater
2020.01.17. – Hungary, Budapest, National Dance Theater
Choreography, dance, costume: SHIN Eunju,
Two women arrive with special and dissonant feeling to the mystic night. Their body
Premier: 2016, E10, Budapest, Hungary
BEING and NOTHINGNESS
Idea, directing, video, sound and light design: KAWASAKI Yoshihiro
Choreographers and dancers: SHIN Eunju, SUMI Masayuki,
While this work does current astronomy for a hint,
It is the work that philosophy of the Buddhism was made by a backbone.
With human existence in this space and the meaning?
And with the meaning of the existence of the unit in the terrestrial world?
It progresses while asking them.
Other performance: 2016, National Dance Theater, Budapest, Hungary
WATER DROP in the FISH-EYE
Performance premier: 2015, National Dance Theatre, Budapest, Hungary
Written and directed by Batarita (Hungary)
Dancers: Batarita, PYO Sangman (South-Korea)
Music: PYO Sangman, XRC KOVÁCS Balázs (Hungary)
Costume: HORNYÁK Isty (Hungary)
Distributor, producer: Touchpoint Art Foundation (Hungary)
„I am man and woman.
I am human and animal.
I am East and West.
I am beauty and ugliness.
I am creation and destruction.
I am possession and remittal.
I am love and hate.
I am God and mote.
Film premier: 2016, 26th Mediawave International Film and Music Festival competition program of HUNGARIAN DANCE AND EXPERIMENTAL FILMS, Hungary
Music: KEREK István, XRC Kovács Balázs
Costumes: HORNYÁK Isty
Production assistant: PINTÉR Gábor
What does a body carry within itself? What does a body remember?
What does a woman’s body carry within itself? What does a woman’s body remember?
What do women’s bodies from four different corners of the world carry within themselves? What do women’s bodies from four different corners of the world remember?
International co-production opportunities always increase artists’ creativity, especially when this is a long-term opportunity and not just a week or two. This is
Premier: National Dance Theater, Hungary
Performers: Batarita (H), KARAS (J)
Music: SEKINO Hideo (J)
2014 – Rakudoan Theater, Tokyo, Japan
2014 – Mediawave Festival, Komárom, Hungary
2015 – Rakudoan Theater, Tokyo, Japan
2016 – Stony Brook, New York, USA
Choreography, dance: Batarita, MEGURO Daiji (J)
Music: Xrc KOVÁCS Balázs, KEREK István
Costume: HORNYÁK Isty
Bird Theater, Tottori, Japan
National Dance Theater, Budapest, Hungary
SIDance Quartet: INTEN(S/T)ION
Constantin GEORGESCU (Romania) – IJODEE Dance Company (Nigeria) – Shang-Jen YUAN (Taiwan) – Batarita (Hungary)
2012 – SIDance Festival, Seoul, Korea
2013 – Atrium Theater, Budapest, Hungary
The piece is one of the outcomes of a 6-month artist residency program in Seoul given by the Ministry of Culture, Sport and Tourism of South Korea. Four choreographers were invited to create a new dance coproduction and to present at
Choreographers, dancers: Batarita, Ken MAI (J)
Kesztyűgyár, Budapest, Hungary
2010 – 2011
Ko Murobushi (J) &
Work in progress: 2010, Paris – France
Premier: 2011, Merlin Theatre, Budapest – Hungary
Other performances: 2011, Bratislava – Slovakia, Krakow – Poland
The question: what is
Our bodies always live together with the new possibility and impossibility.
It means our bodies live together with our death.
Our bodies live in becomingness with nothingness.
The workshops of Ko MUROBUSHI showed great interest all around the world. Several times
In 2010 they met again in Vienna,
Yoshito Ohno &
Premier: 2009, National Dance Theatre, Budapest, Hungary
Other performance: 2011, Merlin Theater, Budapest, Hungary
Yoshito Ohno, born as
A part of the piece is based on the choreography by Tatsumi Hijikata for Yoshito Ohno when butoh was born, who later adopted, transformed it according to his own experiences. The peculiarity of the Budapest premiere in 2009 was that this time Yoshito Ohno together with Batarita attempted to reinterpret the solo made 40 years ago.
“How does human body gain power in the most lost situations? Where do these energies lead from and lead to? What does it mean to hit upon the truth of nonsense?”